Last week-end happened to be a 3 day food photography workshop with food photographer Penny De Los Santos (Texas/USA), known for her photographs in the SAVEUR Magazin and National Geographic.
Based on their video applications 6 students were picked and invited to Seattle to participate in the workshop.
The entire workshop was thought of and organized by
CreativeLIVE an online classroom for creativity classes and workshops. In consideration of different time zones the workshops got aired twice. Some of their courses are totally free to watch online. Amazing!
Therefore, who-ever was willing to spend 3 sleepless nights in front of the computer screen, could experience Penny De Los Santos live and in action.
It was a joy to watch that lively woman. Even though her eyes and thoughts were (due to her profession and calling) were constantly absorbed with pictures, her heart was with her audjence. Open, honest, inspired and inspiring. That made 7 hours fly by.
On the first day Penny introduced herself, her way of professional life and her thoughts about photography in general.
Penny does editorial food photography for SAVEUR Magazin, meaning she is telling visual stories around food and food culture.
For cookbooks Penny does also do shootings in studios, assisted by food stylists and prop stylist. Her mentors James Oseland, Editor of SAVEUR Magazin and Larry Nighswander, Photo Editor at SAVEUR participated via Skype and shared their thoughts about food photography and Penny's work.
On day 2 a cookbook shooting in a studio was simulated. Penny De Los Santos worked closely with food stylists Anne Treanor Miska,
Karen Shinto and prop stylist Kaleo Quenzer, in order to make the most appealing shots of mussles, kebab, noodles and citrus fruits. The latter were tricky and took up too much time. Therefore the students didn't get a chance to try themeselves. Poor guys...
a couple impressions of this food photo shooting can be seen on Penny's Blog
'Appetite'.
There was rain on day 3, which was good in a way. It highlighted the phrase Penny De Los Santos stated and illustrated by a situation she'd encountered in Beirut.
„
Even if everything goes wrong, think about the potential in every situation. You can take great pictures even if the light goes off, it rains or it's risky.
“
I'm pretty sure the first sentence isn't only true for photography...
On day 3 there were food stands set up for photography. Local street food vendors (oyster grill and taco grill) did there job as they normally would do and Penny De Los Santos displayed how she go about editorial photo shooting. While doing so she shared her thoughts, explained her moves and reasons. Very inspiring!
To be squeezed into a tiny taco truck together with the camera guy and the taco burger guy, seemed challenging even for pro Penny.
Final szene of the day, concluding the workshop was a meal situation at alovely farm table with a number of eaters on it.
This was the student's opportunity to get behind the lens for 10 minutes and shoot their assignments (portrait, moment, sense of place, food, detail). Despite nervousness and not-used-to cameras, they were doing pretty good and Penny was obviously proud of them...
I'm no photographer. Not even semi-professionell. Even though I always loved photography. It's part of the skill-set I'm using to serve food community, though.
I was surprised, how little technical equipment was needed in order to get great shots. Just the camera, suitable props, background, foreground and good light (preferably day light). The only additional equipment were diffusors, white screens for brightening up and shades (makeshift carton).
Finally, various bits and pieces I picked up during the workshop. May they motivate you - as myself - to become more seasoned in seeing and in photography. They might even motivate you to pick up a copy of the workshop. The entire course is available for download at CreativeLIVE for 149$ US.
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- To understand place and culture, go follow them in the kitchen (Mr. Oseland)
- Food looks appetizing, when it's real.
- See beyond your own photographic cliches.
- Make sure, they see you are open and there with the best of intentions..
- I stay put and wait. If nothing happens, I move on. I do not pose a situation.
- You go up and down. You look everywhere for your image. Position yourself, not the lens. Get close to your subject. Circle around it.
- Practice seeing. Every day. Look at Magazins, photographs, cookbooks. What is it that grabs your attention or touches you. Think about it. Is it color, structure, a certain emotion, light? Make this an excercise by taking the word you found in that picture and going out around the block. Look out for it. If it was yellow, find something yellow and take a picture of it. If it was sadness, find sadness...
- The more of these words you find in your pictures, the more you have grown.
- You don't have to cross an ocean to find a good story.
- It's easy to photograph people from the back. But you grow the most, when you get beyond the convinient beyond the used-to.
- Respect that moment. Respect that place. (Mr. Oseland)
- It's hard to give emotion to food. Use colors and composition to breath life into food. It's good to give food room to breathe, but most photographers are eather to far away or get way to close.
- I can't just go out and shoot food. As a photographer I need to explore everything.
- I need to get a sense of place where I'm at. If I can't tell this story visually, I have done a poor job.
- I try to take the viewer right into the scene.
- Take time. Explore. Wait for the right moment.
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Well done Penny. Thank you for sharing your thoughts, skills and heart with us. Thanks for encouraging to stay tuned, even when things get tough.
Also I'd like to thank the CreativeLIVE team, for letting us being part of this and for making this workshop such a smooth and enjoyable (even at bed time) experience.
Penny De Los Santos (Blog)
Penny De Los Santos (Website)
CreativeLIVE
photos from behind the scenes
Penny's thoughts on this